Friday, December 31, 2010

Interview: The Return of Kirsten Dunst (A Very Good Thing)

at the NYC premiere
of All Good Things.
It might sound silly to say, but seeing her in the flesh is something of a shock. Kirsten Dunst has been in the movies for many years, and she's made such indelible mark in them, whether as a child vampire, an unknowable teen dream, a disciplined cheerleader, a superhero's better half and so on; one half expects her to flicker when one meets her,as if she's being projected still. But there she was earlier this month at a New York City luncheon honoring her heartbreaking work in All Good Things. Her image did not fade or dissolve but remained steady in medium shot. She ate, she sipped, she walked around the room talking with reporters, friends and peers.

There was, however, a close-up. We shook hands and exchanged a few pleasantries. Then she was whisked off, not by a sharp edit, jump cut or a quick pan, but by her people taking her to the next reporter. Imagine it!

I remind her of the busy luncheon a few days later over the phone. She's already thousands of miles away.  This time, she's a disembodied voice which is surprisingly more familiar, like a movie image. "You were so in demand," I say, reminding her of the crowd and well-wishers.

"You know...," she says, and I do having been there, "A lot of babies to kiss. A lot of hands to shake."

Katie (Kirsten) fixes her husband's bow tie in All Good Things.

It's good to hear the smile in her voice and remember her amiable presence in the room that day. Especially considering the sadness that lingers from her fine work in All Good Things. People have won Oscar nominations for giving much less to their films than she does here, in one of her finest performances. She starts out sunny and delightful, the girlish woman we sort of recognize from numerous other films but she's soon torn apart by her husband's (Ryan Gosling) dark almost alien soul.  The film is based on a true story, the unsolved mystery of the disappearance of Katie Marks (Kirsten), the bride of the heir to a wealthy New York family.  I've followed her career enthusiastically for many years, once even referring to her as "the future of the movies" but naturally we start with the present and the subject at hand.

It's not the first time she's played a real life character but how did she tackle someone who isn't easy to research, someone who went missing? Here Kirsten cedes most of the credit to her director, who knew the case inside and out.

Kirsten: Everything that we knew about [Katie] is in the script. She's not a public figure. Yes, she's a real person but not someone that we know her mannerisms. It was really about making her feel like a whole person that was unravelling, as he was in a way, someone with her own strong motives so it wouldn't just be The Victim of this crime.

Doomed Love
Nathaniel: You have to have the full range of their romance.

Kirsten: That was so important. You have to believe these people were completely in love with each other in order for her to stay and to excuse the behavior.

Nathaniel: Did anything change a lot from filming to the finished movie?  You're acting piecemeal and the movie takes place over a really long span. Did anything surprise you about the finished product?

Kirsten: With every movie you kind of never know how exactly it's going to come together. I had an idea but obviously I wasn't there for the last half of the movie. [She pauses briefly, considering] ...I only saw Ryan in drag once on the set so I wasn't sure how all that was going to come together.

While we were working we played things very differently; we improvised a lot. The scene where he asked me to marry him was very different in the script. We got to play around a lot which was exciting. But you never know what it's going to end up being.

Nathaniel: I thought it was interesting that this movie  opened so close to Blue Valentine, another unravelling Ryan Gosling marriage, and then I remembered that you've worked with Michelle Williams before on Dick. Hollywood is a small world.

[more on All Good Things, Eternal Sunshine, and her favorite films after the jump]



Ryan's Disastrous Screen Marriages

Kirsten: It is a small world. I'm friendly with Michelle. That's funny. [Pauses considering the two movies]  Ryan... he loves a good love story, that one! [laughs]

Nathaniel: With some movie stars chemistry is a hit-and-miss thing but I've always felt from your films that you have a dependable connection to your co-stars and scene partners. What do you attribute that to?

Kirsten: That's nice of you to say but it isn't always as organic as it can be. You get lucky sometimes. With Ryan, it felt very natural. The way he works as an actor is similar to me. We don't stay in a box like 'We did it this way so that's how we're going to do it for the rest of the scene.' We're both very open to change and were very perceptive of each other. With Ryan it was really easy. You do have to fall in love with them a little [your co-stars]. In this movie it was especially important because otherwise, why does this woman stay?

It's not always easy to have that chemistry but you find things in the person you can connect with.

Nathaniel:  When it's harder with actors -- I'm not going to ask you to name names of course -- is it because the processes are different or is it just a lack of a personal connection?

Kirsten: I think it's -- I do think it has to do with the the process. When you work with someone who you can be inspired by, it elevates it. When you don't have that it kind of dies in a way and then you have to put more effort into it. You're lucky if you work with actors that it feels truthful to respond to, not forced.

And I've definitely felt that way in the past. But I think that certain directors are better at choosing actors that match well with each other. And I have feelings about actors and who I think I'd work well with better moreso than others.

Nathaniel: So who would you love to work with?

Kirsten: [Amused, like she's been caught] And then you ask me that question!!! I can think of directors more. [Curiously, she pauses and doesn't offer up any names.]

I'd like to work with Leonardo DiCaprio. I've known him throughout the years and I feel like we'd be good together. Even as brother and sister. I feel like I'd work well with him.

Nathaniel: I have a silly question for you. I'm going to name my three favorite single moments from your filmography. You tell me which one you would reshoot right this second if you had to.

Kirsten: Ummmm... okay.


 Nathaniel: Here we go.
  1. Dancing in your undies with Mark Ruffalo (Eternal Sunshine)
  2. Kissing Tobey Maguire upside down in the rain. (Spider-Man)
  3. Brushing your teeth with Jesse Bradford. (Bring It On)

Kirsten: [laughs] Funny question. Definitely dancing in my underwear with Mark! That was fun. That [Eternal Sunshine of the Spotless Mind] was such a loose set. It felt like whatever we did, wherever we went, the camera followed us. It was practical lighting, natural lighting. It felt very free, like we weren't even acting at all. When that happens, you know it's going to be good. You don't always feel that way but you get glimpses of it in certain movies. When it feels like you're just in it with someone, it's the best.

I felt that way working with Lars Von Trier, too.

Nathaniel: [Surprised] But they say he's very hard on his actresses.

Kirsten: I did not experience that with Lars. I had a great working relationship with him. I trust him.

[Thinking about it...] I think that if you close off your actors you're not going to get what you want. I don't think. I never felt that... well, I didn't have that experience. Also: he's very funny. Even if he didn't like like a take or whatever it was, he doesn't berate you. There's nothing like that. He wouldn't get the performances he gets if he did that. People usually shut down in that environment.

Nathaniel: Weren't you going to work with Michel Gondry again after Eternal Sunshine. You were going to do a Debbie Harry picture?

Kirsten: Yeah, yeah. No. That was definitely happening at one point. It's difficult. Debbie was, I think.... [trails off] It kind of went away. [Referring to Debbie again] "I don't know if i really want to tell my story." You know what I mean?

Nathaniel: So it was her hesitancy?

Kirsten: I think so. It was awhile ago. I can't really remember why. But I think that that's only natural. Usually that stuff happens, biopics, after someone has passed away. It's a weird thing. But I'd still love to do that if she wanted to do that.

Nathaniel: The reason I bring that up is that I love your singing voice. Last time i heard it was in that "Turning Japanese" video.



Kirsten: [Very animated] Oh god. That was so painfully difficult. I HATED doing that. Not the dancing around Tokyo but singing the song.  It's the hardest song. It's a cockney dude who sings the song and it's very specific to his voice and the way he speaks. It's a personality song, not an easy cover song.

I hated singing in the sound sutdio. I was singing to myself. I could hear myself. Oof that was not... it was not... [laughter]

Nathaniel: I don't know if you know this but your wikipedia page describes you as "an actress, model and singer"

Kirsten: That's hilarious.

Nathaniel: Are those the three words you'd use to describe yourself?

Kirsten: No. Not at all! [laughter] That's funny. I did some kid modelling when I was younger. I've only sung for parts; a singer is someone who puts out an album. That's a very generous description. [Sarcastically] It sounds like I've mastered it all!

Nathaniel: You've done some directing, too.

Kirsten: I did a short film. I'm playing around with a screenplay with two friends right now. Not something for me to direct but to be in. I definitely want to direct some day. I need to have -- I think when I do that I need to block out a year of just  thinking, writing, reading. You can't be focused on which role you're taking next -- I personally can't -- and then be "I want to direct. What should I do?" You know what I mean? I've had ideas but i'd have to really focus on just that. That won't be for probably a few years. We'll see what happens.

Nathaniel: So no Ben Affleck then for you; everything at once?

Kirsten: That's... I couldn't do that the first time out. That would be very stressful. I'd just want to direct.

Nathaniel: You started out as a child actress and you're next film is with Chloe Moretz, right? Hick.

Kirsten: I'm not committed to that film, actually. That's a rumor.

Nathaniel: Oh, okay. But do you ever look at these young actresses like her, Elle Fanning, and think  "that was me."

Kirsten: Yeah, I do. It's weird. Yes.

The first of many little girl vampires.

Nathaniel: You and Chloe have both played teenage vampires.

Kirsten: Even Dakota [Fanning] played a vampire in the Twilight movies.

Nathaniel: It's a running theme.

Kirsten: It is.

Nathaniel: One of things that was remarkable about meeting you -- maybe because I've seen you in movies for a long time -- I'm not sure how to phrase this. You're very womanly in persona and your screen persona is very young. When you take a part like All Good Things do you think about it as a transition role. Do you plot out your career like that?

Kirsten: I don't. I'm older now is all. I don't think I grow up in that film but what you emanate is different as you grow up. That'll continue to happen. It's more prominent because you've seen me young, as a teenager, adult. This role is pretty adult even though she starts out young. But I'm not like "Now is the time to play adults." It's just more prominent because I was a child actor.


Nathaniel: Yeah, I can see that. The scene that really impressed me the most [SPOILER] you're looking in the mirror after the abortion. You can feel Katie as a character aging. Not makeup effects. Just you as an actress conveying the weight of that. That's my favorite beat in the performance. [Recognizing Kirsten is displaying some hesitancy about this 'now you're grown up! thing...] I'm not saying that this is your coming out ball -- I mean you've been famous for a long time now -- but it felt like a transition to me.

Kirsten:  I'm older now and It'll be different from now on, for sure. This is the first movie -- well, it's hard for me because... [Reconsidering]  In The Cat's Meow I had to play someone older but she was kind of a childlike adult. I feel like [All Good Things] is definitely a transition into a different way of people looking at me. I think you're absolutely right but it's hard for me to look outside of myself in that way.

Nathaniel: I'm sure you're experience from the inside is very different than ours.

Kirsten: It is.

Nathaniel: Well, All Good Things... it's a beautiful performance. My favorite performance of yours was always Crazy/Beautiful and I just love Marie-Antoinette. It's a grossly undervalued movie.

Kirsten: You know, people who love Marie Antoinette really love it so I feel like it'll stick around.

5 Best Performances: Virgin Suicides, Crazy/Beautiful, Eternal Sunshine,
Marie-Antoinette, All Good Things
. Do you agree?

Nathaniel:
Those are the ones for me, personally, but how about you? Are there any you feel more connected to?

Kirsten: [No hesistation] The Virgin Suicides. That was a different thing for me at the time. I was allowed to not talk and not be the bubbly girl. I was allowed to show another side of myself that I was even discovering at the time. That was a really cool moment for me to look back on. [Pause]  Usually I see these things more in retrospect than when they're happening.

And I loved doing Eternal Sunshine. [Delighted voice] I'm just so proud to be in that movie. It's so many people's favorite film. To be in someone's favorite film is just -- that's what you want. You want to be in great films that are memorable. It's nice when the movie is not on your shoulders, too. It's fun to do a smaller part sometimes.

Nathaniel: Well, you've already racked up several great films. Good luck adding to that list.

At this point, we wrapped up our interview. Kirsten mentioned Melancholia  (the Lars Von Trier picture) again and amusingly we both expressed curiousity about what that final movie will be like. There is only a little bit of information about the movie out there, though Lars did famously mischievously joke that there would be "no more happy endings" (As if the rest of his filmography is rainbows and bliss!) Still, like she said, you never know what something is going to end up being. When I called her 'the future of the movies' years ago, I had no idea exactly what that future would hold, for her or Hollywood. It was a vote of confidence and faith that this gifted natural would flourish. She did. There were a few rough spots, sure, as there are in any career. But after a short break, All Good Things marks a major return to a career that's already had more dizzying heights than most 28 year-old actors could dream of.


Kirsten might not want to call All Good Things a transition, and perhaps it is the wrong word. Transition implies something unformed and her Katie Marks is a fully shaped character. It's not a comeback either since she hasn't really been away, but just stuck in that spider web. Let's call it a reminder, then. Let it serve as a reminder to Hollywood of what she's always been capable of doing. May she keep on reminding them.
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The Year In Funny

year in review parts 1-7
tear-jerkers, music videos, worst films, gay characters and more... 
 
Four Lions

Michael C. from Serious Film here for a few good laughs.

Any future film historians examining the tail end of 2010 will likely mark this year as dark days for screen comedy. Comedy icons Woody Allen and James L Brooks rolled twin gutter balls, while mainstream audiences lined up around the block to watch the star of Taxi Driver do 98 minutes of boner jokes. As if to rub salt in the wound, the Golden Globes saw fit to nominate an inexplicable slate of comedies that were, with few exceptions, unfunny, unexceptional, or in some cases downright awful.

Still, if you managed to look beyond the large pile of high profile duds there were plenty of laughs to be had in 2010. So here for your consideration is the year in comedy. Not the best movies overall, but purely those films and performances that most moved the needle on the laugh-o-meter.

Funniest Leading Man - Most movie funny men neatly divide their comedic and dramatic work. Kevin Kline will be a goofball in A Fish Called Wanda then it's goodbye mustache and hello serious face in Grand Canyon. With his daring work in I Love You Phillip Morris, Jim Carrey managed the best of both worlds delivering one of his fullest performances to date while still scoring big laughs as the relentlessly dishonest con man Steven Russell. Bonus Points: Though his character can barely go a full minute without lying, Carrey is able to let the audience see just how sincerely smitten he is, keeping his character from becoming a one-note huckster.


Funniest Leading Lady - Easy A may have been a formulaic piece of slick Hollywood fluff but that didn't keep Emma Stone from rising above the material to show just what formidable comedic chops she's packing. Stone pulls every laugh possible from this familiar material and then adds a few of her own. Bonus Points: Stone's minute-long soliloquy on the subject of aphrodisiacs was a symphony of first date awkwardness that had me guffawing out loud. Riffing wildly on oysters and Spanish fly, Stone makes a rapid series of funny faces, giggles at her own jokes, and manages to include both the phrases "painful urination" and "bloody discharge". A star is born. [previous posts]


Funniest Supporting Performance - I'm as surprised as you are, but damned if no supporting performance of 2010 made me laugh as much as Sean Combs playing Sergio, Get Him to the Greek's egomaniacal, hard-partying, half-crazed music executive. To merely dismiss this performance as a thinly veiled version of himself is, I think, to sell short a genuinely funny comedic showcase. Combs manages to steals scenes from two of the biggest names in comedy today - no minor feat.

Funniest Animated Performance - A three-way tie. Toy Story 3's Spanish Buzz Lightyear was a bolt of comic relief in the middle of the nerve-wracking climax. His mating dance for Jessie may be the comedic high point of 2010. The Illusionist managed to resurrect the gentle comic spirit of Jacques Tati in its protagonist, and like the live action version, his animated counterpart provides a movie's worth of warm smiles. Finally, in Tangled  [previous posts] Disney gave us one of their best supporting characters in ages with Maximus, the horse worth an entire squadron of royal guards.

Funniest Stare - Perched somewhere between a barn owl and Hannibal Lecter, Jonah Hill's level gaze is enough to reduce John C Reilly to cold sweats in Cyrus. Hill's oddball performance was the best thing about a film that often felt half-baked.

Funniest Parents - There are few roles more thankless than that of the parents in a teen movie. With the pressure off, Stanley Tucci and Patricia Clarkson [interview] took Easy A as an opportunity to crank up the zany charm and transform their limited screen time into a series of self-contained comic vignettes. Name another teen comedy where the audiences is hoping for more scenes where the lead goes home to talk it over with her parents.

Funniest Movie (From a Certain Angle) - It would be hard to argue with anyone who came out of Noah Baumbach's Greenberg asking, "What the hell was so funny about that?" But if you can summon a little pity for Stiller's filter-less malcontent, then you can see the humor in unleashing this out of control man-child on the greater Los Angeles area.

Funniest Movie That Is Not A Comedy - The Social Network is a unquestionably a drama, but it also has one of the highest laugh counts of the year. One could hear the audience actually pausing for a moment to absorb the sheer cleverness of a line before bursting out laughing. Bonus points for being the most quotable movie of the year.

Most Welcome Presence - Welcome back, Michael Keaton! How we missed you. He turned up to get laughs as both The Other Guys oblivious TLC-quoting police captain and as Toy Story's totally not a girl's toy, Ken. Here's hoping Hollywood keeps right on casting this comedic MVP.


Funniest Mystery Science Theater Fodder - Attention must be paid to the lovers of unintentional comedy, and those folks received a big gift with The Last Airbender. M. Night Shyamalan's epic mess hit the sweet spot of boundless silliness told with completely stone-faced solemnity. How many years until live audience-participation showings of Airbender spring up?

Biggest Waste of a Great Cast - Date Night. How can you gather a cast that includes Carrell, Fey, Franco, Kunis, Liotta, Fichtner, Wahlberg, Wiig, Ruffalo, and Taraji P Henson and still manage only minimal laughs? Put them through the motions of an exhausted plot nobody cares about involving stolen flash drives, car chases, and mobsters, that's how.

Somebody Get This Guy a Script -  Last year Flight of the Conchord's Jemaine Clements was wasted  in the universally hated Gentlemen Broncos. This year he is wasted in Dinner for Schmucks. One of my fondest 2011 wishes is that Clement gets a vehicle worthy of his priceless comic presence.

Funniest Ensemble - Scott Pilgrim vs. The World. From Keiran Culkin's acid wit to Alison Pill's killer deadpan all the way down to the glorious appearance of the Vegan Police this cast is firing on all cylinders. And although everyone and their cousin have written about how Michael Cera needs to find a different role, Cera's comic timing in the title role was still spot on. [previous posts]

Biggest Waste of a Great Title - Hot Tub Time Machine. Surely we can use this title again? It's too good to blow it on these limp 80's jokes.

Biggest Let Down - I left all my critical faculties at the door and was ready for Robert Rodriguez's Machete to give me the guiltiest guilty pleasure ever, maybe this generation's answer to Kentucky Fried Movie. What I got was a movie that bored despite Lindsay Lohan in a nun's outfit shooting off a machine gun, all with a layer of deadly preachiness on top.

The Low Lows of High Concepts - When future generations ask what killed the romantic comedy I will sadly respond, "High concepts." Whether it was a magic wishing fountain in When In Rome, a special marriage proposal day in Leap Year, a sperm sample switcheroo in The Switch, or whatever was going on in Killers, Hollywood is so in love with their big ideas they forgot the little details like likable characters, relatable situations, or romantic chemistry.

I'll Pass - Grown Ups, Marmaduke, Little Fockers, The Bounty Hunter, Furry Vengeance...ugh... I can't go on. See you all at Wal Mart's 5.99 bin, or, more likely, the depths of the Netflix instant view selection.

The Ten Funniest Movies of 2010

10. TANGLED
One of the big surprises of the year. Despite an advertising campaign to the contrary we finally got an animated film that dropped the ironic Shrek-y pop culture references long enough to tell a sweet, straight-forward story. The result? Disney's best animated film in at least a decade and their funniest since The Emperor's New Groove.


09. THE KIDS ARE ALL RIGHT
It's getting more attention for Oscar-friendly tears than for laughs, but Lisa Cholodenko's heartfelt script was one of the most consistently entertaining and well observed of the year. We know the characters and their blind spots so well that we laugh and cringe in equal measure as they stumble directly into emotional land mines.

08. THE SOCIAL NETWORK
"Wait. Let me check your math."

07. THE OTHER GUYS
Admittedly this is as hit or miss as most other McKay projects, but for my money the scale tips firmly in the favor of hits. And when the hits are as funny as Whalberg's ballet dancing, Ferrell on the subject of Tuna vs. Lions and Jackson and the Rock going out with a whimper instead of bang then you can't leave it off this list even though the odd gag lands with a thud (Ferrell's pimping past, I'm looking at you).

06. I LOVE YOU PHILLIP MORRIS
Again, not a perfect film but when a story barrels along with such confidence you just go along for the ride. Bouyed by Carrey's ferocious performance and strong supporting working by an endearingly dim Ewan McGregor and a sweet Leslie Mann, Phillip Morris plays like the funny, seedier cousin of Catch Me If You Can.


05. GET HIM TO THE GREEK
Russell Brand and company were right to think this one-off character had legs. This one was an example of that rare species: the solidly funny mainstream comedy that manages to be raunchy without being mean-spirited. Brand stakes his claim as a Hollywood star while Hill proves he can get laughs as the comic straight man. Plus it also gave the entertainment industry a good spoofing without stretching the material past believability.

04. TOY STORY 3
Toy Story's tear-jerking scenes may be getting all the attention but the laughs here are just as big as ever. For starters, Mr. Tortilla Head is an instant classic, and Ken, Big Baby, and a group of method acting toys made for hilarious new additions. The opening fantasy sequence by itself would earn this a place on the list. By my estimation the "death by monkeys" gag alone was worth a half dozen cookie cutter Hollywood comedies.

03. SCOTT PILGRIM VS. THE WORLD
While not the masterpiece it's most ardent fans are making it out to be, the films flaws are minor when compared to the film's successes. Whip smart gags, a witty visual style that pops, an ensemble with nary a weak link, and best of all, Edgar Wright's energetic direction which keeps the whole production rollicking along with a spirit of giddy invention. Any serious critical evaluation of the film should be prefaced with the acknowledgement that watching Scott Pilgrim is massive amounts of fun.

02. LOUIS CK: HILARIOUS
If you were lucky enough to catch this concert movie of Louis CK's stand up act as it toured the country last fall then you know what I know, which is that this is possibly the best stand-up special of its kind since Chris Rock exploded with Bring the Pain in '96. Louis CK does that thing that the greats do - actually getting us to see the world with new eyes. His riff on how the miracles of the modern age are wasted on today's whiney consumerists deserves comparison with the classic routines of George Carlin. Oh, and it's clutch-your-side-gasping, fall-out-of-your-chair funny.

01. FOUR LIONS
More than any other comedy this year, Christopher Morris' Four Lions took big risks for its laughs. A comedy about a band of inept terrorists plotting attacks like a group of overgrown children playing in a treehouse, Lions is at once shocking and hilarious. Like the racial humor in Blazing Saddles it gets double laughs, one for the joke and a second one for getting away with what it did. In broad strokes these guys aren't much different than Waiting for Guffman's incompetent actors, in that the laughs come from the huge gap between their grandiose view of themselves and their stubborn lack of actual ability. There was infinite ways for this material to go wrong, but the infallible test of its success is whether or not we laugh, and I did. Loudly and often.


So let's hear it. What made you laugh the hardest this year, and which flicks left you sitting their stone-faced?

some tears to balance this out? Check out the Crybaby Countdown: Tearjerk-iest moments of 2010

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Here Comes a New Year...

What's your biggest movie wish? (I haven't given 2011 that much thought yet but I'm hoping that the Pedro/Antonio reunion is worth the wait.)
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Thursday, December 30, 2010

Crybaby Countdown: The Tearjerk-iest Moments of 2010

year in review

Kurt here from Your Movie Buddy, getting honest about choking up. I live to cry at the movies, but it's so, so rare. It's like genuine belly laughs: they're great, but they just don't happen that much, especially for frequent, discerning filmgoers. My strongest recent memory of getting all sniffly would probably be during the candlelight vigil scene at the end of Milk. Such a powerful sight. I don't discriminate, though: I'm not afraid to admit I fell victim to the climax of the DeNiro weeper Everybody's Fine. Tearducts play by their own rules. Here's what gave mine a workout this year:

SPOILERS APLENTY...

9. “Because it's important to you,” Date Night
It's no must-see, but Date Night scores major heartstring points as a valentine to long-term commitment. In the end, Steve Carrell and Tina Fey (let's call them “Stina”) have a lovely breakfast scene in which Steve throws in this affecting, encapsulating line about the couple's shared suburban pastimes.

8. Funeral scene, Undertow
Yes, it's another gay film stricken by tragedy. But it's a very, very moving one, especially in its closing scene, when in-denial protagonist Miguel (Cristian Mercado) at last pays tribute to the lover (Manolo Cardona) he lost too soon.

7. On the bench, Rabbit Hole
I don't have one specific scene to cite here, but rather every park scene Nicole Kidman shares with Miles Teller (who, IMO, was robbed of Supporting Actor attention). Their moments together are such wise, aching and beautiful depictions of forgiveness and mutual healing.

6. “Just read it to me, as a friend,” The King's Speech
For me, moving and plausible friendships are right up there with troop-rallying battle cries and father-son reconciliations in the lump-in-the-throat department. This moment between Firth and Rush runs deep.

5. Scrubbing the sidewalk, For Colored Girls
In the wrongly-reviled Tyler Perry melodrama, the suffering is constant, but a lot of it hits its mark. The most shattering scene is when Kimberly Elise is comforted by Kerry Washington during an unfathomable moment of post-traumatic cleansing. Then someone walks over her stain, and it's like claws to the soul.

4. Wedding, Blue Valentine
There are crushing moments aplenty in this oh-so-painful love story, but none trump that which finally shows you – in one gleaming-white, all-American flashback – all the initial hope and joy that's deteriorated through the course of this tragic couple's marriage.

3. Off to college, The Kids Are All Right
This hugely emotional au revoir is the perfect capper to everyone's new favorite family portrait. When all is said and done, family comes first, and at the end of the day, what's truly important is that the kids are...oh, you know.

2. Lantern release, Tangled
I liked the story of Tangled just fine, and Rapunzel's quest for freedom and identity is nicely developed, but what truly underscores this absolutely breathtaking peak of the Disney gem is its pure ability to transport: to childhood, to Disney's princess heyday, to movie heaven.

1. Moving on (Finale), Toy Story 3
I am not on the Toy Story 3 bandwagon by any means, but you better believe I was a puddle of mush just like everyone else during the final scene. I truly think it's one of the most emotional series finales in history. The greatness of its impact is that it's at once universal and personal: it feels like it's speaking to every viewer individually.

Need to laugh now? The YEAR IN COMEDY

Your turn, TFE readers. Spill it.  
What had you fighting back tears this year?
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Let's Do the Link Warp Again

A note for  impatient readers: My top ten list is coming (I'm aiming for January 1st / 2nd) but first there's a couple year in reviews things and an interview with Kirsten Dunst. The new site will be up soon, too. Hopefully everything will be running smoothly within the next week.

Vulture Alejandro Gonzalez Innaritu speaks out. Good read. I especially liked the Woody Allen bits.
/Film Remember when Buried won that surprise NBR Screenplay award. That's not the end of the film's Oscar campaign story...
Wired Patton Oswalt (The United States of Tara) asks for the death/rebirth of geek culture by ETEWAF (Everything That Ever Was... Available Forever). Really interesting piece, especially if you're feeling burnt out by the internet's constant regurgitation of past things and repurposing of newish things.
Playbill has a list of a ton of people's favorite theater moments of the year. I wish I could still afford theater. [sniffle]
Towleroad my weekly article with a teensy bit on the "depressing" double of Rabbit Hole and Blue Valentine.
Cinema Blend Casper the Friendly Ghost is coming back to the movies. In Related News: Hollywood isn't even trying anymore. True story: I saw the Christina Ricci Casper (1995) at the drive-in and my best friend cried and we all made fun of him for weeks afterwards.

Three random questions:


  1. Do you think Anne Hathaway is pissed that her Oscar co-host gets the EW cover but Natalie Portman gets what would then, symmetrically speaking, be hers? 
  2. Will there be a single day in 2011 where we aren't staring at Natalie Portman's mug?
  3. Was there a day in 2010 when we didn't see James Francos?

offscreen
The Awl Call this next year twenty-eleven, please not "two thousand eleven". A compelling funny argument.

Distant Relatives: Repulsion and Black Swan

Robert here, with my series Distant Relatives, where we look at two films, (one classic, one modern) related through a common theme and ask what their similarities and differences can tell us about the evolution of cinema.  Since one of these films is still in theaters, I thought I'd mention that while certain plot elements are revealed I've done my best not to spoil any of the film's dramatic resolution.



Women well into their nervous breakdowns

We love to watch people go mad in the movies.  We watch people go mad because of fame and money.  We watch people go mad because of war or tragedy.  And we watch people go mad because of the relentless pursuit of perfection.  We're especially fascinated by beautiful people going mad.  "I hate to do this to a beautiful woman," said one of the cameramen of Catherine Deneuve on the set of Repulsion.  As if tormenting a plain looking person would be somewhat less repulsive.  We envy and idealize the beautiful.  What reason should they have to go mad, when life has dealt them such a winning hand?


But Natalie Portman's Nina and Catherine Deneuve's Carol do spiral down into madness.  Both are haunted by visions of walking nightmares.  Both see their reflections become broken and distorted.  And both are eventually brought to violence.  Each film contains moments of such fierce discomfort, we begin to expect (or fear) that the director is capable of showing us anything.  Now that is horror.  A scene of cuticle cutting in Repulsion suggests that Darren Aronofsky was probably influenced by that film's understanding of our empathy toward hangnail trauma.  But it's not fear of physical pain that's the catalyst for these beauties' insanty.

Would you fuck that girl?
They're all the same these bloody virgins, they're all teasers that's all.
Sex is dirty.  Sex is bad.  Both of these women have stilted sexuality in a world that demands they be sex objects.  Each film does a superb job of getting us into their heads, making us understand how they see sex.  As Carol lies in bed at night, hearing the animalistic moans and grunts being made by her sister and her sister's beau in the next room, we agree that they don't sound sexy at all.  They don't sound like something Carol would want to partake in.  They don't sound like something we would want to do.  For Nina, a subway encounter with a perverted old man tells us all we need to know about how sex appears before her: dirty, aggressive, a violation.  There's nothing present that suggests the comfort of love or even the enjoyment of pleasure.

For both of these women, being virginal is part of attaining or maintaining perfection.  Carol's pursuit of this ideal is subconscious.  She doesn't hope to achieve anything by accomplishing it, but being spoiled by a man would be akin to falling from grace.  For Nina, avoiding sex is part of her active pursuit of artistic perfection.  Her mother has pushed her in the direction of the pure innocent ballerina.  When company director Thomas Leroy insists that sexuality is her only path to perfection, it both contradicts and reinforces her attitudes toward sexuality and innocence.  After all, he demands she become sexual to embody the black swan, the dark character.  So sex may now be the goal, but it's still something sinister.

No way out

The activeness of Nina versus the passiveness of Carol is one of the major differences between these two films.  Yet in both cases it seemingly makes their downfall more inevitable.  Carol has no direction in life, no goals, no hobbies even.  Her descent into madness seems a natural progression of that emptiness.  For Nina, her pursuit of artistic triumph is so great, it can only lead where it eventually does - downward.  What both of these women do share is obsession, and that, however manifest, is the key to their fates.  The two women justify their darkness differently as well.  Black Swan plays with the doppleganger (echoing Swan Lake).  Nina, perhaps unable to accept any darkness within herself, creates mirror images of herself, onto whom she can project her inner evil.  Carol recedes within herself, becoming further and further the eternal victim.  She rationalizes her actions as necessary self-defense.  She has to.  By the end of her film, even the walls are attacking her.


In the over forty-five years between these two films, we notice that audiences have changed little.  Stories of beauty and obsession are still captivating.  Both films present us with a heroine who the picture empathizes with and sexualizes, almost becoming another one of the many gazing and lecherous men that surround them.  Like Nina, Black Swan the film is more active in its pursuit of our emotional distress.  The film is bombastic, swirling around, throwing a large amount of stimuli at is from all sides.  Repulsion is more passive like Carol, building slowly to a point where fantastic images truly shock.  Both methods work for their respective films, though the more modern one is maybe indicative of a time when the weight of film history and media saturation requires images be louder.  But however the times have changed, we still respond to beauty in peril.  We still are shocked at beauty embodying evil.  And like that camerman we feel terrible about it, but keep it in our gaze.

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 Beautiful Jennifer Aniston on red carpet
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Jennifer Aniston

For the new followers, here are my first three official chapters for my upcoming paranormal novel.

Murder Case: The Secret


Written by

S.K.SAINI



- Chapter 1 -



Witness





It is a stormy night on the 15th of January, 2005; everyone is soundly sleeping, cats were marauding happily down the street, wondering around curiously near the neighbour’s houses and three girls (me included) were strutting along the outskirts of Hector. Coming back from a friend’s party and heading towards home, Kate Hampton, Juliet Singer and I were talking amongst ourselves. Thinking back I realized that after this night, all our lives were changed forever and there was no going back from it.



Kate Hampton is my best friend. We have known each other for almost our whole life. She has blonde, long hair which ends at the small of her back, and when you look at her baby blue eyes they pierce right through your body. For looks, Kate is pretty, but sometimes the acne on her face demolishes the prettiness. But I don’t care about that. Kate and I have this sisterly bond, we both know straight away whether either one of us are in trouble or sad. She is the nicest person you could ever meet. She is one of those friends who would come over straight away when you become sick; she is one of those friends who would see through to the end of the day that you’d get better.



Juliet Singer is my other friend. She isn’t as close to me as Kate is, but she is good person. She is the only one who would help make decisions that impact our friendship. Sometimes Juliet has an anger problem, and she always takes it out on other people. Horrible I know, but she is basically the tough one of our trio. She has an older sister and her parents fight a lot. My mum doesn’t really like Juliet coming over as much because she was afraid that she might influence me into drugs or something. Juliet isn’t anything like Kate. Unlike Kate who would come over and help you, Juliet will be the kind of person who will tell you to get over it and suck it up. There was a reason why I wasn’t as close to her as Kate, a reason why were didn’t really bond with each other as much, because Juliet liked to say what she thought with no regard to the persons feelings or emotions. She is a very direct and controlling person. Maybe the reason we became friends in the first place, is because she is honest, and honesty is a good thing my opinion, even if it can be vicious.



We are walking silently now, and my heart is smashing into my chest. I look around me, and see only trees and houses. I try not to look up at the sky. I hate the dark. I just hate it. Maybe because I know what’s out there in the dark, things that can get to you before you can even react. I am a paranormal freak. I love reading about mysterious and scary mythical creatures and ghosts. I guess the consequences resulted in my phobia of the dark. You never know what’s out there. Just watching. Waiting. Great, now I’m paranoid. That’s what I get for letting my mind do all the thinking.

We are still walking down the street when a roll of thunder sounded. Kate stopped walking and looked up in fright. Juliet and I both stopped when we realized that she wasn’t with us.

“What the hell was that? Was that thunder?” She looked at me and Juliet with her eyes wide open. Juliet and I looked at each other. Kate has a phobia of thunder. We both nodded and started dragging Kate along as we started up walking along the sidewalk. Another crash of thunder filled the quiet night, followed by a streak of lightning which hit nearby power lines. Suddenly it became very dark and I didn’t like it at all. Shit.

This time it was me who looked around in fright, and because I have a phobia of the dark, I panicked even more. I grabbed a hold on Kate’s shirt.

“I can’t see anything! It’s too dark!” I cried out in fear. Kate pulled my hands away from her shirt and calmed me down softly. She was still trembling from before. Juliet just rolled her eyes at me. So much for helping me.

“You don’t have to be scared, we’re with you, and nothing is going to hap-“

Kate’s words were cut off by the sound of running footsteps near the trees. “What the hell was that?” whispered Kate fearfully, as she looked at me and Juliet once again with wide, shocked eyes. She jumped at basically anything, and always caused the rest of us to freak out a little.

“It-It sounds like someone running,” I said, I tried to comfort her a little, but my own heart was racing nonetheless. It’s just someone running, right? What else could it be?

“It’s coming this way!” hissed Juliet quietly.

We all held our breath, our hearts pumping and beating so fast you’d think we ran a marathon. I felt Kate stiffen beside me in panic.

The footsteps were getting louder. I was more terrified because I couldn’t see anything and the thunder and lightning seemed to make my phobia worse.

Juliet screamed and I think my heart almost failed, not to mention the height in which we all jumped in the air.

“Piss off Harley!” screamed Juliet angrily, as she pushed a laughing Harley Groves out of her way.



Harley Groves is in the same year level as us. He is the type of guy, who wanted to be hated by everyone, and so he annoyed everybody with his brainless and lame made up jokes, his irritating voice and sleazy gestures. Even though he brought it on himself, I kind of felt sorry for him. And by kind of I mean such a tiny feeling that it doesn’t even register that I’m feeling like that.

Did I mention he was a complete sleaze bag?



Harley burst out laughing, his crooked teeth visible as his mouth opened wide with laughter. The idiot tried to scare us and won. Kate and I were pulling Juliet back to stop her from beating the crap out of Harley. At one point Kate accidently let go of her arm but quickly grabbed it again. Harley jumped back from Juliet playfully.

“I’m surprised you haven’t been put on a leash, Singer. You need to be tied up,” teased Harley as he came closer and closer to a fuming Juliet, who was starting to go red in the face from seething anger.

“Shut up Harley!” I yelled angrily while still trying to restrain a fuming Juliet.

“Although the fantasy of you being tied up is actually better than I thought it would be,” Juliet growled and tried to claw Kate and I, as she tried freeing herself to attack Harley. But Harley ran away laughing uncontrollably because he knew that he stirred up the raging animal in Juliet.

“Juliet!” I panted, as Kate and I were struggling with a scratching and angry Juliet. “Stop it! You’re stooping down to his level!” This last line stopped Juliet, and after a few seconds of calmness, when Kate and I thought it was safe to unhand Juliet, we let her go carefully. She whipped around to face us angrily, her eyes piercing with accusation and hatred.

“Why the fuck did you two grab me for?” Kate and I looked at each other like that wasn’t the easiest question in the world.

“We grabbed you because you would’ve attacked Harley,” Kate said even more angrily, mainly because Juliet had sweared at us. Juliet turned to Kate, I could see the anger etched in the lines of her face, and I wondered at this point why I became friends with Juliet. She is such an angry person, I had no idea how I became friends with her in the first place.

“Whose side are you on Kate?” seethed Juliet angrily. “Are you on Harley’s side?” Kate stammered, but I jumped in to save her. Kate never really did well in fights. I turned to Juliet angrily.

“How can you talk to your own friend like that? We are not on anyone’s side. Yes he was in the wrong with what he said, but you are also in the wrong when you tried to attack him. That makes you no better than he is,” Juliet fumed even more, but we all froze in shock as a sickening scream shattered the conversation to silence.

“What was that?” whispered Juliet to Kate and me fearfully.

“I think that sounded a lot like Harley don’t you think?” I said to Juliet and Kate, also at the same time trying to hear the screaming phenomenon again. Kate nodded in agreement.

“I think it –“ But Kate was cut off by Juliet who quickly shushed her.

“Shhh! Can you hear that?” All three of us suddenly became quiet, and sure enough the same scream was heard, but this time it was moving further away. Juliet started running and stupidly, Kate and I instantly did the same. We ran along the road, our loud running footsteps scraped the pavement as we ran faster and faster, the sound of the scream was getting closer and closer and my heart was thumping in my chest it hurt. It was still too dark to see, but with the help of dim streetlights, I was following Juliet and Kate. As we ran across the road, we headed to Denway Park. The sound of the scream had to be here, I wondered in my head while running and nearly tripping over at the same time. The sound of the scream was so close, we all halted in our steps with shock at what we saw.



In the night we could barely see, a black hooded figure kneeling over something, sucking noises coming from its black hood, like it was eating something, I knew then that the creature was eating someone. The person was making gargling and choking noises. My gut was pulled back and I suddenly felt sick in the stomach. Suddenly the person became quiet. I turned my face away and took a big gulp of air to take the queasiness away. Kate accidently stood on a twig making the black hooded creature look up from his prey and look in our direction. We all froze, trying not to move. I think my heart stopped for that moment. It just kept looking at our direction as if it couldn’t see us. Luckily for us it didn’t seem to see anything, and after what felt like forever, the creature went back to devouring the poor soul who was lying helplessly on the ground.

I felt my heart start beating again; it was beating frantically against my chest. I looked at Kate’s face, it was filled with horror and shock, and Juliet’s face seemed to be a bit sick. The three of us stayed halted in the same place, unable to move, afraid it would actually see us this time.

When the creature finished, it stood up. It was as tall as a full grown man, we all kept silently still, not even breathing, afraid the creature was going to find us too, but all it did was open its black cape, with hands I couldn’t see, and to our uttermost horror, sprouted black wings. It protruded from its thick body, and with the wings flapping so powerfully, it flew off from the ground and into the clouds.



The three of us waited for a couple of minutes in case the creature came back, but when it didn’t we all slowly headed cautiously to where the dead mass lay gruesomely mangled on the Park ground. We all gasped in shock as we reached the body. Judging from its hair, and mangled face, it was indeed Harley Groves, the lifeless body lay still and silent. Kate burst into loud tears and Juliet quickly took her away from the body, telling her to shut up at the same time. I didn’t follow them, but I did move closer to the body because something had caught my eye. I didn’t go too close however, but the body was laid in an awkward angle, his stomach was ripped wide open and all the insides were nearly, completely eaten away, leaving chunks of intestine and possibly other organs lying on his body and on the ground.

Shit. I covered my mouth with my sleeve, afraid at the thought that I might chuck up all over the dead body. I don’t know why I did it but I started examining his face, with my sleeve still on my mouth.

The skin was viciously ripped apart at the forehead down to the nose. The only way I could identify Harley was because of his unique stud which was now dangling from what was left of his lip. My eyes remained on Harley’s mangled face, studying every tear that was used to be his skin. It seemed like the creature has claws. I could see the muscles through the torn skin. There was a bleeding hole where his left eye used to be. His right eye was torn open, and a white fluid was seeping out of what was left of his eye.

I looked further down near his stomach area where his chewed up organs lay on the ground. I gulped back a bit of vomit and moved my face away from the body to breathe. After a couple of minutes when my stomach settled down, I turned back to the body. I over-looked the intestines and looked at the gaping hole in what used to be Harley’s stomach. Nearly everything was gone. It was like the creature had sucked out nearly everything of his insides, spilling out bits of flesh around the body.

As I was gawking at Harley’s open stomach, something else caught my eye. Something solid was protruding out of his left jacket pocket and curiosity got the best of me as usual. I pulled my sleeves up further and made sure my hand was covered; I reached into his left pocket and pulled out a small black bag. I examined it carefully and instantly knew what it was. The hex bag was the size of my palm, it had white string tied tightly around it and an unusual aroma was coming from the bag. The smell wasn’t strong, but it was sifting through my nose, making my stomach lurch again. My gut suddenly had a bad feeling and I knew that this hex bag meant no good. But nevertheless I carefully got a spare plastic bag from my purse and put the hex bag into it. I shoved the plastic bag into my own bag and continued to examine the body. I know I shouldn’t be doing it, but for some reason a feeling was telling me I had to.

I got up, unable to look at the body again. I looked up at the sky, it was still overcast and dark, and my brain went into panic mode once again. Calm down, I comforted myself as I looked away from the sky. I have bigger problems than the dark right now. Yeah, real comforting Selena, that’s real helpful right now.

Near the bushes, Kate and Juliet were standing near the trees, watching me look at something on the ground.

“How can she even go near the body?” sobbed Kate quietly. Juliet patted her back once and quickly took her arm away.

“She can handle these kinds of things. We can’t,” whispered Juliet resentfully.

“What the hell was that thing?” said Kate, whose voice was getting louder by every word. Juliet shushed her and looked to where I was.



After I finished, I got up and went to Kate and Juliet who were huddled by the bushes.

“Are you done?” Juliet said quietly. I nodded speechless. Kate was listening attentively. “What happened?”

I looked at them, all the clues and evidence that was stuck in my mind, it felt so terrible I didn’t want to say it. I gulped back tears that were finally trying to come out.

“From the looks of it, Harley was chased down and fatally attacked like we saw,” Kate looked worryingly at Juliet. But Juliet’s stern look still didn’t change.

“How do you know he was chased down? You can’t conclude a hypothesis just from looking at the body,”

“From what we heard it was pretty obvious. I wasn’t only looking at the body. Follow me,” I showed Kate and Juliet a fine patch of green grass near Harley’s body. “Have a look closely, you can barely see it but you’ll see footprints,”

Kate and Juliet leaned in close where the grass was. You had to lean in pretty close to see because there was no moonlight and sure enough, there was a one set of footprints that was imprinted in the grass, but there was something wrong.

“The footprints are like one foot away from the body,” said Kate, who was still half sobbing. “How is that?” Juliet realized what Kate was on about and turned to me for answers.

“Well Sherlock Holmes, what do you think?” I gave Juliet a dirty look; I always hated it when Juliet called me Sherlock Holmes, she made it like I was some kind of crazy person that loves playing detective all the time, which wasn’t true of course.

“I realized it when I was walking back to you guys actually. I think that the creature was chasing after Harley, grabbed him while it was still flying and killed him right there,” I indicted the bloody mass that lay on the ground two feet away from us. I wiped tears that were slowly coming out of my eyes.

“What makes you think he was running?” asked Kate fearfully, as she deliberately avoided looking at Harley’s dead corpse. I showed them the footprints again; clearly you could see that the footprints were far away from each other.

“The footsteps are far apart from each other. When we walk, the footsteps are closer together. But when you are running, your footsteps have a larger gap between them. Then there is a large break where his footsteps and body are,” I quickly wiped away more tears. “Because the creature can fly, we can only assume it must’ve grabbed him. Plus you know what we heard before this happened. If it were flying at you, you’d run too,” We all looked at the dead, eaten corpse of Harley Groves.



















- Chapter 2 -



The Secret



Suddenly for me, it became quiet. Too quiet that the silence was deafening to my ears, I couldn’t hear the thunder anymore and I suddenly realized that I couldn’t stand being here any longer. I closed my eyes and prayed that I was just in a nightmare and soon I will wake up hoping it’ll come off as a bad dream. But when I opened my eyes, I was still in Denway Park standing with Kate and Juliet, and I knew that this wasn’t a dream at all. I decided to break the silence. I turned to face Juliet and Kate, who were also lost in thought.

“We have to go. We have to go to the police and tell them what happened,” I started to move with Kate, when Juliet grabbed my shoulders. I turned around to face her. “What is it?” Juliet’s face suddenly looked serious.

“You can’t tell anyone what happened,” Juliet said quietly. I scoffed at her, as I couldn’t believe my own ears. What is she talking about?

“What the hell do you mean don’t tell anyone?” I said, glaring at Juliet angrily. Behind me, Kate was agreeing with what I was saying. Juliet came in front of me and put her hands on my shoulders again.

“It’s going to look suspicious if we tell the cops what we saw just then,” I looked at Juliet with a dumbfounded look. I looked at Kate then back at Juliet, I still couldn’t believe my ears.

“What, you think the cops are going to say that we killed Harley?” Kate said slightly angrily and horrified at the thought she had given. But I didn’t listen to what Kate had said; I was just looking at Juliet, trying to comprehend what was going on in her mind. I suddenly realized why Juliet said what she said.

“You’re not trying to protect us,” I said heatedly. “You’re trying to protect yourself,” Kate looked at me confusingly, wondering what on earth I was talking about. Juliet took her hands off my shoulders as if she got electrocuted and glared at me with her hazel eyes, like a hawk about to attack its prey.

“What the hell does that mean?” said Juliet, equally as angry as me. “I didn’t kill the fucking bastard!”

“I know you didn’t kill Harley, but you do have motive for killing him. He said some things to you and you got angry, the cops will see you as a suspect,” There became silence again. Juliet and I were glaring at each other and Kate was looking at us both trying to figure out what to say. But it was Juliet that spoke up first. With her eyes still on me, she spoke.

“I call for a vote. Hands up for those who want it to be kept a secret,” Juliet put her hand up, with her angry eyes still on my face. I kept my hand down and looked sideways at Kate, who had her hand up too.

“Kate, what are you doing?” I looked at Kate surprisingly and half angry. Kate still had her hand up, but she looked at me sadly.

“I’m sorry Selena, but I’m going with Juliet on this one,” said Kate sorrowfully. It looked like she was going to cry. “I don’t want my parents to find out what happened; I don’t want to be a suspect,” I looked at Kate dejectedly, but I couldn’t blame her. Juliet’s eyes lit up, and she gave a quick smile to Kate. When she looked back to me the smile faltered and became a thin line of anger again. They both put their hands down and stared at me.

“Majority rules, Selena,” I looked at them both, trying to wonder how they can keep this a secret. “We’re keeping this a secret for our own safety,” Juliet looked at Kate who nodded in agreement, and then she turned her look to me.

“Are you with us Selena?” I looked at Juliet again, but I knew in my heart that the decision was made, and I had no choice but to accept it. I was only making the decision for Kate.

“Fine,” I said miserably, knowing that I had been defeated. “I won’t tell anyone, but I still think this isn’t a good idea,” Juliet gave another quick smile.

“Good, because no good will come out of this if we tell anyone,” said Juliet carefully. It’s still no good even if we don’t tell anyone, I said thoughtfully.



We all started walking back to our houses without a last glance at the dead corpse of Harley Groves lying on the grass in Denway Park. There was no talking this time, each one of us was lost in our own thoughts. I was fuming inside. How can Juliet control us like that? What right does she have to tell us what to do? How can I keep this secret, knowing that it’s going to eat away inside of me as the days pass by? This has to be the most stupidest thing I’ve ever done, I thought to myself as our feet was scraping loud against the pavement as we walked. As we kept walking silently, we passed Kate and Juliet’s house, without even talking, we each gave each other a nod and they both went into their houses, closing the door shut behind them.

I was on my own now, walking home by myself scared. I kept sneaking glances up the night sky, searching for signs of a large creature with wings. That thought sent my heart running again. What if it came back now? What was I going to do? Shit.

I still couldn’t believe what happened. I saw a murder for the first time my life. It was all starting to crash down on me, my throat swelled up and my eyes burned with tears.

“Selena, what’s wrong sweetie?” The voice quickly snapped me out of my thoughts and I realized that I was suddenly at home; standing in the living room and in front of me was the worried face of my mother.

“Oh,” I said quickly lost for words. “It’s nothing Mum. I’m just tired,” Mum looked at me; I quickly raised my eyes and looked at my mother, I could tell she didn’t believe me. I took in my mother’s appearance.

She is beautiful. Everybody always says that if there was a beauty pageant, my mother will be crowned first place. She is a lot like me, long brown hair, dark brown eyes, and a smile so beautiful that it becomes contagious to anyone around her. Okay, I admit I went a little overboard with the contagious part. I turned my attention back to Mum. She looked even more worried.

“Are you sure you’re okay? I called you when you came in, but you didn’t say a word. You look like you’ve seen a ghost,” I nodded. You got that right.

“It’s just been a long day and I’d really like to go to bed,” I forced a smile, went up to my mother, hugged her tightly, although she wouldn’t let go, and went up the stairs and into my room. I closed my door and I fell onto my bed; more thoughts came to my head. What was that creature? What was it doing there in the first place? Why did it kill Harley? Why did he have a hex bag on him? What is inside it? Why did my life have to start falling apart at this moment?

Suddenly thinking at how exhausted I was. I climbed into my covers, with my clothes still fully on, and drifted off into an uneasy sleep, dreaming of the horrific incident that happened only a couple of hours ago. After all this time I think back, I realized that this was the catalyst for events soon to come, and there was no stopping it.





I opened my eyes wearily and looked around. I was in my room and it took me a while to realize that I still had my clothes from last night on me. When I sat up in bed thinking of the events that took place last night, I looked at my clock, which showed twelve-fifteen in the afternoon. I had slept in. Shit. I got out of bed and stretched, I then went to my wardrobe and got out a long dark skirt with a white top and went into the bathroom to take a long and needed hot shower.

“Ah, Selena you’re awake!” said Mum happily, as I came out from the bathroom, and into the kitchen area still looking tired.

“Mornin’,” I said softly and hoarsely, as I still hadn’t found my voice yet since waking up. I sat on the table just as my Mum put a plate of bacon and eggs in front of me. I was yawned loudly.

“It’s the afternoon now,” she said softly as she kissed me on the forehead. “I let you sleep in a bit, after last night,” I nodded without speaking and looked at my plate. The egg was leaking on my plate and my mind suddenly flashed back to the blood and torn flesh of Harley. I groaned and pushed my plate away only taking the bacon.

“Where are Kale, Karen and Dad?” I said my mouth full of bacon. Mum sat down opposite me and took a piece of bacon from my plate.

“It’s a Sunday, so Kale is over at Jackson’s house, your father is still at the construction site working and Karen is still out with her friends. Don’t know when she’ll be back.” I rolled my eyes while my Mum looked away. Karen is only four years older than me. She thinks that she can control me because she is the oldest. She shows off to her friends in front of me, treating me like a child. Even more to my humiliation, Karen gossips about me and the family to her friends, something which I hate among all other things. But even though she can be a bitch sometimes, Karen does have a good side which is loving and sort of sisterly like. Kale on the other hand is like any other little brother, annoying. He is three years younger than me and even now he still likes to peep into my room or flick through my out-dated diary once in a while. But unlike any other little brother, Kale was my first and only best friend. We will tell each other most things and help each other out, which makes my mother very proud of us.

When I finished my late breakfast, I went up to my room, and shut and locked the door behind me. I went to my desk, set a large piece of paper on the floor, went to my bag and got out the small black, hex bag I found inside Harley’s jacket. I set the hex bag onto the paper and opened the white string with my hands, and when the black bag opened up a strong horrible smell wafted from inside the bag which made me nearly throw up again. I got up again, went to my desk a second time and got out a pair of white disposable gloves from my drawer. I went back to the floor and sat down.

Picking though the objects in the bag, I found the following:

A piece of bone, not sure what it was, but I was sure to check it out soon; two really small baby teeth, one dead black rose, three black pebbles and two small rocks. I knew that this was a hex bag, the contents inside confirmed it. I got out a notebook and a pen and starting to record my findings.



“It is the 16th of January, 2005. I found a small black hex bag in the jacket of Harley Groves. I opened up the bag and found the following items:

• One unidentified piece of bone.

• Two really small teeth, very likely from a toddler or a child.

• One dead black rose.

• Three black pebbles.

• Two small rocks from an unidentified location, very likely from a graveyard.



NOTE: Find out what kind of bone it is.”



I quickly put down the pen and re-read what I wrote. I suddenly forgot one more thing, the smell. You see, when you make a hex bag, you put a certain kind of aroma on the bag for it to effectively work. If there is no aroma, it can be rendered useless, thus it won’t work. I quickly wrote down some more notes.

“Hex bag has a certain kind of aroma. Smells like something you get from the ocean mixed with a stale smell of an unknown source,” I closed the notebook and started drifting into my thoughts. From the evidence I could gather from the hex bag, someone tried to curse him, I think. The hex bag, if cursed, probably worked, Harley Groves is now dead and decaying on the ground in Denway Park. But now so many more questions were running through my head. I wonder if anyone found his body. Who would want to curse Harley? There were so many people in school who hated him, so many people who’d give anything for him to die or get hurt. Why did that person put the hex bag in his jacket? Does the hex bag attract the creature that killed Harley? Or is the creature and the hex bag two different things all together? Maybe Harley crossed paths with someone who is into witchcraft, or was it meant for someone else? The questions kept coming and coming, and every time I tried to answer a question, another question will pop up as well as many theories. I came back to my senses again when there was a knock on my door.

“Who is it?” I called out as I quickly scrambled around putting the objects back into the bag (leaving out the piece of bone) and stuffing them into a drawer and locking them inside.

“It’s Kate,” said a silent and shy voice of Kate. “Can I come in?” I quickly put the bone into a pouch, stuffed it in my school bag and went to open the door.

Kate was standing there in a medium sized white skirt, with a pink blouse. Her hair was tied back into a ponytail today. She gave me a massive hug. I patted her back sympathetically, knowing what conversation was going to come up.

“Are you okay?” I said sympathetically, as we both parted and sat on the bed. Kate looked at me with tired and sad eyes. Her eyes were puffy and red. She had been crying. She shook her head.

“I’m not okay Lena,” said Kate whose voice was starting to break up. “I couldn’t sleep the whole night last night. My eyes are red and puffy from crying so much and I’m just scared. I also feel guilty for taking Juliet’s side and not yours,” I looked at poor Kate, who had tears starting to well up in her eyes again. I passed her a tissue from my bedside table.

“You don’t have to feel guilty about anything Kay. Just because you are like family, doesn’t mean you have to take my side on every issue that comes along. I had nightmares of what happened last night too. It was a horrible experience for all of us. I never want to go through that again,” Kate quickly took the tissue and started dabbing at her eyes. I looked at Kate for a bit wondering whether I should trust her enough to tell her about the hex bag. Kate looked at me while cleaning her eyes. She frowned at me.

“What? Why are you staring at me like that?”

“Can I trust you with something?” Kate looked at me, wondering what on earth I was going to tell her about. She nodded her head. I told her about the hex bag, about how I was looking through Harley’s body, finding the hex bag, opening it and discovering it contents and my theories. When I finished talking, Kate looked at me with her mouth wide open.

“You stole evidence,” Kate said slowly, as though trying to comprehend what I said to her. “You opened up a cursed bag which you think made Harley a target to that creature, and you stole evidence,” Kate sighed disappointingly as she looked at me. “I know you Lena; you would never do something like this, stealing evidence. First you looked at his dead body and now you do this. Why are you trying to play detective all of a sudden?”

“I’m not trying to play detective,” I said defensively, feeling slightly hurt by Kate’s response. “And I took the evidence because of a gut feeling I had, and you know about my gut feelings,” I added, glaring at Kate who looked a taken back. “I am telling you these things because I can trust you, if you break this trust and tell anyone else, even Juliet, I’ll never confide anything to you again,” Kate nodded.

“Why don’t you want Juliet to find out?” asked Kate. I scowled at her.

“Because of what happened last night. I don’t trust her; I’m not as close to her as you are Kate. I only put up with her because of what she’s going through with her parents,” Kate nodded again, but this time more slowly. “What did you do when you went back home last night?”

“Everyone else was sleeping, so I just went to my room and tried to wait for sleep to come. But I couldn’t stop thinking about what happened. I still can’t believe it. What was that thing?” I knew how Kate was feeling because I was feeling the same way too. But before I could reply, my Mum was calling for us.

“Selena! Kate! I want you to come down here now!” called Mum from downstairs. The tone of my mother sounded panicky, and Kate and I looked at each other in fright and ran downstairs into the living room, where the television was switched on.

“Mum, what is i-“ But Mum shushed me and pointed my direction to a breaking news report that was playing on the television. Nicolas Papas who was the Channel Seven’s reporter, was speaking from the news desk. My heart was pounding, as I knew what this news report was about. I stood and listened.













































- Chapter 3 -



Rumors



“Police this morning were called to the attention of a dead body of a teenage boy found by an elderly woman who was walking her dog in Denway Park early this morning. The witness who doesn’t want to be named called the ordeal ‘the shock of her life’ and is now in hospital being treated for shock. The body of the teenager has not been identified. Police are now calling it a Homicide and further investigation into the murder will be pending effective immediately. Anyone with any information about the murder is to call the Hector Police Station. Nicolas Papas, Seven news,”



Mum switched off the television and sat down in shock, Kate and I quickly looked at each other in fright.

“How could this have happened? A murder in Hector?” I sat down next to Mum and put an arm around her, comforting her.

“I know, it’s really shocking for us too,” I looked at Kate who was staring at me speechless. Mum looked at me.

“He was just a teenage boy. He would’ve gone to your school wouldn’t he?” I stared at Mum.

“Yeah,” I said slowly, trying to catch my words. “Probably,” I hugged Mum and closed my eyes.

Once again the flashes of last night were flickering in my mind. Mum suddenly stiffened my arms. She broke away and looked at me.

“Where were you girls last night?” I suddenly became rigid in my seat, staring at my mother. I fought my eyes from looking at Kate. “After the party did you go anywhere else?” I shook my head.

“N-no, we came straight back home. We didn’t go anywhere else,” I added when my mother kept staring at me suspiciously. Kate nodded fervently behind her.

“Then when you came home, why did it look like you’d been crying? What happened?” I looked at Kate and back at my mother.

“It was nothing. Nothing happened,” Mum didn’t seem to believe still. Luckily, Kate jumped to the rescue.

“It was just the dark, Mrs. Gordon. The lightning took out the power and Selena just freaked out. You know how it is,” I glanced at Kate and nodded. She gave me a slight smile back. Mum’s face looked at me for a couple more seconds and her face softened. Pity took over her face.

“Well if that was it – “

“It was,” I interrupted, speaking quickly. “It was just the stupid darkness. I hate it and I got scared,” Mum gave me a piteous smile, kissed my forehead and walked away.



Later on during the day, Mum, Kale, Dad and I were sitting around the dinner table eating steak and mashed potatoes, while talking about murder that has put the whole town into discussion mode. Karen was not home yet, though typical Karen, she wouldn’t even phone to tell us she was coming home late.

“I heard from Jackson’s parents that the killer is someone we know,” said Kale, who quickly stuffed mashed potatoes into his mouth while flicking his hair out of his eyes. Mum scowled at him.

“The police haven’t found the killer yet, so how could Jackson’s parents possibly know?” Kale shrugged and continued eating. Dad was sitting next to Mum and he was frowning. He always frowned when he was thinking. His wrinkles increased every time he did, which was funny in a way. His brown hair was shining from the light above us, giving him a sort of halo on top of his head. He was a very handsome man. He pushed his glasses up from his nose.

“You know what Charlotte? Kale could be right, it might actually be someone we know,” Mum scoffed again. “Hear me out. This is a small town; everyone knows everybody and we’re basically the kind of town who can’t keep out of each other’s business. Who’s to say it isn’t someone we know, someone who is capable of mauling a teenager to death?” I looked at Dad in shock when I was halfway through putting a forkful of steak into my mouth. Mum looked up at Dad in surprise.

“Mauled to death? Where on earth did you hear that from Reece?”

“It was on the radio when I was on my way back from work. Apparently the police found the body severely mauled apart, no human could’ve done this,” I looked at Dad again. Too right it wasn’t human, I thought in my head. I looked at Kale who looked disgusted. He put down his fork and glared at Dad.

“Thanks a lot Dad, now I’ve just lost my appetite,” Mum glared at Kale.

“No you haven’t, you just want an excuse not to eat. Finish your food. And no more talking about the murder,” she said, directing the last sentence to my Dad. Dad just shrugged and continued eating his steak. I sat there in silence, listening to the bickering conversation.

“It could be a bear or wolves,” said Kale after a while, quickly giving a look to Dad. Mum slammed her fork on her plate and Kale and I jumped in our seats. We all became silent, except for Mum.

“I told you Kale, stop talking about it,” scolded Mum, Kale nodded. “There are no bears or wolves in Hector anyway,”

After dinner had finished, I quickly did the dishes and announced I was going to bed.

I tried to sleep, but I kept tossing and turning in my bed. I kept worrying, worrying that the police were going to find my prints on Harley’s jacket. No that can’t be, you were careful, I thought quietly to myself. As I kept thinking what had happened, my eyes slowly started to close.

There was a loud screeching sound and my eyes jumped opened in fright. My heart only relaxed when I realized it was my alarm clock ringing, and I grumpily leaned over my bed and hit my clock with my hand causing the alarm to stop. I sat up, still tired, I felt like I hardly slept. I didn’t want to go to school today, but I knew I had to, at least it’ll keep my mind off things, I thought. I found out I was wrong when I reached school.



I go to Hector Secondary School and I am in my final year. The school is good. Good teachers, good education, good students, the only thing that wasn’t good, was gossip. I suppose everyone get’s rumors about themselves spread at school sometime in their life, but now, the rumors were bigger than ever. As I stepped off the bus, all around me there were groups of students huddled together, whispering to each other. As I walked down the pathway near the classroom areas, I realized that it was quiet; it’s never been quiet before in our school. It suddenly became uneasy. People were still whispering to each other when I headed to the front of the library. It was just how any library would look. It was old, antique looking. The detailed structure of the outside was fading and peeling slightly, but it was a nice looking building.

“Howdy!” The familiar voice made me spin around.

“Charlie!” I looked at Charlie Ashmore and smiled; his short blonde hair and brown tips shone brightly from the sun. I have known him since primary school. His cute little smile always makes me smile, and he is always there for me. Charlie is tall, thin, and one of the brightest and smartest people that I know. Charlie smiled sweetly as we hugged each other.

“How are you Charlie? How was your weekend?” Charlie looked at me, his smile faltering slightly.

“Not that good actually I guess we’re all hyped out about the murder in Denway Park,” I cleared my throat and nodded my head. But before I could speak, Charlie leaned closer to me. “There are rumors flying around,” he whispered. My heartbeat went fast again. I looked at him.

“What do you mean?” I whispered back, knowing I was going to dread the answer.

“Rumor has it, that the body found in Denway Park was someone from our school,” My heart was beating fast, and guilt started to well up in my gut. I think it showed up on my face, but Charlie mistook my guilty look for a sad look. I gulped, afraid that he’d seen my guilt, my guilt of seeing Harley being murdered and not telling anyone about it. I felt like an accessory to murder. But Charlie just clicked his tongue and patted my back. I nodded, hiding my face slightly.

“I thought that old woman found him?” I said looking at Charlie’s face. But Charlie just shrugged, looked behind me and smiled.

“Lena!” cried out a male, deep voice. Before I could even react, big arms had grabbed me from behind hugging me. I panicked and tried to fight the arms, but the laughing from behind me made me stop.

“Jonathan!” I said angrily, but smiling at the same time. I turned around and jokingly hit my close friend Jonathan Barone. I have known Jonathan since primary school, to tell you the truth I actually had a crush on him at one time, but that faded away after a couple of years. Jonathan is tall, and I mean really tall, he was about seven foot high, with tight abs and muscles. Jonathan was a funny guy and he loves being around with his friends as much as he could. When I hit Jonathan, he just laughed and we both gave each other a proper hug.

“Don’t scare me like that!” I said, my head painfully being crushed by Jonathan’s hard chest. We pulled apart and I saw Jonathan and Charlie hug. They pulled apart as there was a loud ringing sound. It was the school bell, but listening clearly, there was an announcement being broadcast from the speaker.

“Could all students please come to the assembly area and line up where your homeroom teachers are please? All students,” The broadcast ended and I heard people all around me talking to each other.

“It must be because of that murder,”

“I think it’s someone from our school!”

“Do you think they’re going to tell us who the killer is?”

I rolled my eyes knowing full well no one other than Kate, Juliet and I knew who the killer was, and walked with Jonathan and Charlie to the assembly area, also wondering in my head where the hell Kate and Juliet were too. I walked silently as Jonathan and Charlie were talking to one another, I was curious as to what this assembly was about, and my gut feeling was telling me that it was definitely about the murder. As we halted to a stop, we looked around trying to find our homeroom teachers. Jonathan and Charlie waved goodbye to me as they walked off to where their homeroom teacher was, leaving me alone. I felt like I was being left by myself quite a lot lately. I looked around trying to find people from my class, but my gut feeling suddenly went bad at the site of two police officers standing on the front of the stage, waiting for everyone to be seated. I suddenly found my teacher Mr. Holmes, an English teacher, a very nice old man. I sat down with my other classmates and looked around trying to find any sign of Kate or Juliet. There was a tap on my shoulder which made me jump, I looked up and saw that it was Kate, who gave me a quick smile, and Juliet who was beside her looking very smug. We all gave each other a nod and turned to face the front of the stage. The room suddenly became very quiet and I was afraid my rapid breathing would be heard. Then, the police spoke.

“I’m sure all of you know of the murder that took place at Denway Park, two days ago,” said a male police officer who was very young and attractive looking. “My name is Officer Reeves and here is my partner Officer Jane,” Officer Reeves gestured a hand towards a serious and young looking woman. She nodded at the audience. “Now, I’m sure there are rumors surrounding what happened, and I am here from the Police Department to let you know what is going on,” He stopped for a while, the silence was too much, I couldn’t stand it. My heart was pumping at a rapid pace I was scared it would suddenly stop. But then Officer Jane stepped in, her tied up brown ponytail swinging back and forth as she paced across stage with her hands behind her back.

“We have identified the victim yesterday afternoon, and only now we can tell you who it is. It is a student from this school,” Officer Jane stopped for a couple of seconds, all the students held their breath. I think I actually stopped breathing at one point. “The student’s name was Harley Groves, his parents were notified early yesterday afternoon,” When Officer Jane said his name, everyone gasped and broke up in talks and whispers. All the teachers were shushing them but at the same time looking shocked too. When the talks had died down, they put in their full attention at Officers Jane and Reeves. I looked at Kate, whose face looked scared.

“We don’t have any other information for you, only that it was a murder, and that we’ll find whoever did this and they’ll be going away for a long time. Are there any questions?” called out Officer Reeves as he looked at the students carefully. All the students put their hands up. “Besides who the killer is,” He added quickly. Most of the students groaned and nearly everyone put their hands down. Only one person had their hand up.

“Yes?”

“It’s a question about Harley sir,” said a small third year male, he looked miniscule and his voice was slightly squeaky.

“Keep going,” urged on Officer Jane. The little boy spoke again.

“When are you going to release the body for a funeral?” All the students looked at him. I don’t think they’ll go for the funeral, I thought quietly to myself, if they go, they’ll only go for the curiosity and publicity. It was Officer Reeves that spoke this time.

“The body will only be released after the investigation into the murder is finished. Otherwise the body will stay in the morgue pending the investigation,” The boy nodded quickly and didn’t speak again. The Officers turned back to the audience again.

“While the investigation is still ongoing, the Police Department will be notifying the occupants of Hector of any new news that comes to our attention. But if anyone has any insight on what happened, please tell let us know,” Both Officers gave a quick nod to the teachers and walked out of the assembly area. Just as the Officers left, students began muttering and whispering to each other.

“There’s an investigation!”

“I heard he was slashed up in pieces!”

“I can’t believe that kid asked about a funeral!”

“What a douche,”

I couldn’t take it listening to people voices, so I grabbed Kate and Juliet and went outside near the trees where we couldn’t be heard.

“What’s the matter?” said Kate in a concerned voice. Juliet nodded.

“What’s wrong?” I couldn’t believe what I was hearing.

“What’s the matter? What’s wrong?” I whispered furiously, looking around at the same time in case anyone heard me. “It’s everything! I can’t take this anymore, we have to tell the police what happened,” Juliet scoffed and Kate recoiled beside her.

“Like they’ll believe us, a monster in Hector? Might as well be a human who could fly maybe that’ll be more believable,” said Juliet in a scorned voice.

“How can you talk like this?” I said frowning at Juliet angrily. “This isn’t something you can get over within three days. I really can’t take it; I can’t stop thinking about it,”

“Calm down Lena,” said Kate, as she put a hand on my shoulder. “We’re all as freaked out as you are. But we can’t say anything to the police, they won’t believe us anyway,” I looked at Kate and Juliet, I thought about the hex bag, I thought about that night, the night that changed our lives. I nodded and then I started walking away, hoping Kate and Juliet weren’t following me.

 
 
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