Showing posts with label David Wenham. Show all posts
Showing posts with label David Wenham. Show all posts

Wednesday, April 20, 2011

Oranges and Sunshine


This is one of those films that I really knew very little about before I saw it. Emily Watson plays Margaret Humphreys, a British Social worker, who by accident finds out about an international scandal. She discovers that 30 or more years ago the British and Australian governments were complicit in the forced migration of children from the UK to Australia. The children were said to be orphans (though often their parents were very much alive at the time), and so they would be given a fresh start in a new country. It turned out that a lot of the children were essentially used as a slave workforce when they arrived. Margaret sees it as a personal challenge to get to the bottom of what really happened, and soon receives the backing of the Social Work office that she works for. Over the course of a few years, Margaret manges to re-unite many children (by now in middle age) with their parents back in the UK.

Directed by Jim Loach (son of Ken), this is quite an emotional film, but is saved from being overwhelming by the way the story is told and the main cast of three: Emily Watson, Hugo Weaving and David Wenham. Waston is great as the driven social worker; it is strange how sometimes she can be very emotional (especially with her children and husband), but when she is present at parent/”orphan” re-unifications she is strangely distant. This probably is due to trying to maintain some professional distance between herself and the people involved; but her blank face was often a bit odd. Of course then her family get the full brunt of what she is really feeling.

Hugo Weaving, despite only having a relatively small role, is fantastic. Even though his character is quiet, he still has a tremendous presence on screen. He is brilliant in the very emotional scene where he discovers that his mother only died within the last year; despite thinking for all these years that he was an orphan. David Wenham has more of a role to get hold of. His character, Len, is initially very sceptical of what Margaret can actually achieve by interfering; he has tried years ago to find his mother and failed. His attitude therefore is quite aggressive towards Margaret. However, his character mellows as Margaret helps him to find his mother, and by the end of the film he is one of the closest friends that Margaret has over in Australia.

A very interesting, well-crafted film starring a cast that is quite understated in their roles, but who nevertheless are all great. I should add that the reason we saw this was to support out local art-house cinema, The Belmont, as it was in danger of being closed due to lack of funding by our city council. I am very happy to say that it has now been saved. Hoorah! It also resulted in seeing this great movie which otherwise would have passed me by; and that’s the great thing about independent cinemas; finding a gem of a film that otherwise I may not have heard of.

Friday, March 18, 2011

300


Having recently written a review of another Zack Snyder film, Watchmen, various people had made comments about 300. I have seen 300 before, and wasn't too enamoured of it, but I wanted to watch it again with an open mind, so I duly added it to our Love Film list. To my surprise I really enjoyed it.

300 is the story of 300 Spartan warriors led my King Leonidas (played by Gerard Butler's teeth), and their brave stand against the hordes of the Persian army fighting under Xerxes (Rodrigo Santoro), a self-proclaimed emperor-god. I will make it clear now that I have no idea how historically accurate the film is; I suspect there may be a nugget of truth there, I really don't know. What I do know is that some of my previous niggles with the film were a bit unfounded.

One of my complaints was David Wenham; I just didn't think that he was narrator material. I think perhaps I was being a bit harsh. He doesn't have a striking, imposing voice, but it acts as a good foil for Gerard Butler. Also it is rather the point that he has a storyteller's voice, as he is asked by Leonidas to return to Sparta to tell the story of how the 300 stood against thousands. Indeed, at the climax of the battle when Leonidas' helmet and shield are cramping his style, I thought Wenham's narration was utterly convincing; it vaguely conjured up memories of Maximus' "Husband to a murdered wife..." line, but not quite.

Another of my complaints had been some of the effects, specifically the background effects. Actually, most of the time these are perfect; the crashing sea as the Persian navy comes to grief, and the background of the senate is pretty good. The only thing I didn't think was great was a couple of the scenes that were clearly filmed outside on a sunny day (Leonidas and Queen Gorgo (Lena Headey) saying farewell in a field of wheat - Gladiator influence) as their faces are very well lit. However, in the scene the sky is very overcast so the whole setup looks incongruous. I thought so anyway. I realise the whole film is shot high contrast to give the comic-booky feel, those few scenes stuck out though.

Anyway, enough with the minor niggles, the film is great! Zack Snyder shows he has real verve and style with the way he filmed this, everything about it is dynamic. The whole film has a very stormy feel to it thanks to cinematographer Larry Fong, and all of the battles look brilliant; gladly the slow-mo isn't overused and works really well. Gerard Butler is great as King Leonidas. I think maybe perhaps he could be accused of overacting at points: Tonight we dine in Hell! We will fight in the shade! Prepare for Glory!, but it's all really part of the fun.

                                King Leonidas played by Gerard Butler's teeth!

So despite my earlier misgivings, I really enjoyed 300, perhaps it's one of those films I should own, as I can foresee wanting to see it again, for some pure entertainment. Great main character, great fights, brilliantly filmed. Just one more thing: can someone please explain to me how I managed to recognise Michael Fassbender by his teeth?! A quick check on IMDB and yes, Fassbender is in this! By his teeth? I think I've only seen him in Inglorious Basterds, by no means am I that familiar with him! Strange.

Anyway. One more time everybody:

THIS IS SPARTA!